Because I Can’t Let You Go
- The project reimagined funerals by addressing the gap between the desire for a positive farewell and the reality of grief.
- A Goodbye Room prototype used video, projection, and NFC to enable intimate, two-way posthumous communication.
- Feedback valued its hopeful vision while highlighting the need to refine sender–receiver experience and visual clarity.
Recap
Most people do not want others to feel sadness at their funeral, yet funerals are still commonly described as sorrowful events. With this contradiction in mind, we decided to develop a new funeral concept that integrates digital technology to reshape how farewells are experienced.
Ideation
The advent of digital technology can transform how people say goodbye and how they communicate with the deceased. With artificial intelligence, could future conversations with lost loved ones become possible?
We believed that even after death, people can still exist alongside us—not physically, but emotionally and digitally. Our idea was to design a two-way space for communication, where the living could revisit and connect with their loved ones through personal interactions.
This environment included private areas, allowing visitors to express emotions and thoughts in moments of sudden loss.
Realisation
We designed the spatial structure of the Goodbye Room to resemble a photo booth, representing an intimate one-on-one interaction. A rear-projection screen was used to simulate a future telepresence system. NFC tags and readers allowed visitors to trigger specific recorded videos by scanning them with a personalised token.
Although the use of AI-generated messages was initially considered, we used pre-recorded video messages for the prototype. Participants filmed and edited messages they wanted to leave for others, which could then be played when triggered.
Feedback & Reflection
The concept was recognised as a powerful posthumous communication system. Reviewers appreciated how the presentation effectively communicated a hopeful vision rather than a dystopian one. The use of light, sound, and projection helped evoke emotional depth and intimacy.
However, feedback suggested that the visual documentation such as storyboards and system diagrams could be enhanced for better clarity. Additionally, further exploration of the user experience between sender and receiver was recommended to deepen the emotional dimension of the concept.
Reference
- Galbus, L.T.B.C. 11: G.F. by J.A. (2013) ‘Case 11: Goodbye Friend’, in Inside Relationships. Routledge.
- Meijer, E. (2019) When Animals Speak: Toward an Interspecies Democracy. NYU Press.
- Ramilyevna Bikmullina, E. et al. (2023) ‘The Concept of English Linguistics in the Manners of Saying Hello and Goodbye’, Journal of Research in Applied Linguistics, 14(3), pp. 142–146. Available at: https://doi.org/10.22055/rals.2023.19471.
- Wojtkowiak, J. (2022) ‘Ritual (Re)design. Towards a Framework for Professional Ritual Making in Postsecular Contexts’, Yearbook for Ritual and Liturgical Studies, 38, pp. 108–123. Available at: https://doi.org/10.21827/YRLS.38.108-123.
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